Download Money Heist Season 2
sMoney Heist Season 2, otherwise referred to as La Casa de Papel, has even as many “WTF?” moments because it has “yes! whoohoo!” and “Okay, i want wine” moments. It left me during a trainwreck of emotion that also has me confused about how I feel.
It’s clear season 2 of cash Heist may are a touch more rushed than the previous one, because there are countless times Tokyo’s behavior seems contrived just to push the plot forward.
Her actions throughout the whole second season gave me a hair-pulling level of stress and anger. She threatens BerlÃn’s life by playing Russian roulette , she breaks the drugs he needs for his muscle condition (which is extremely painful without), and she or he uses the key Nairobi tells her during a vulnerable moment and perverts it ahead of everyone simply because she couldn’t wait 4 more hours for the professor to call back.
Not just that, but when she gets captured she gives away the professor’s name and truly contemplates giving everyone up because she made an error . I desire BerlÃn was merciful just giving her to the police. Throughout the whole series, she actively tries to sabotage the sole recourse everyone has got to get a second chance at life.
And if that isn’t enough, her continued reckless behavior finishes up getting Moscow killed. the extent of vitriol I had toward her as I saw my favorite father-figure character losing his mind from blood loss is that the most I’ve hated a personality during a while .
She has the temperament of a 3-year-old and it constantly made me livid to ascertain her traipsing around like she had any leg in the least to face on. the sole explanation I can consider on why she continued to try to to ridiculous things, with no retribution, was to push the plot and/or the writer’s didn’t realize what quite impression her character actually had on the audience.
Sometimes there's a disconnect between the way characters/plots are intended to be received vs. how they really are received. and that i can say with complete confidence that I don’t believe she is supposed to be as annoying as her character actually is.
Tokyo wasn’t the sole disconnect the narrative has with the audience. Her voiceovers become crammed with meaningless sayings rather than concrete information and her relationship with Rio isn’t in any way as moving like Professor and Raquel or Denver and Mónica.
The latter two relationships melted my heart and really function wonderful subplots to the cash Heist‘s core narrative. I loved every minute we need to see the couples fall crazy because everything seemed so organic and genuine.
Denver starts tripping over his words around Mónica and Mónica shows her quirky sense of humor with Denver during a way we never get to ascertain in her relationship with Arturo. Additionally, Raquel only really smiles when she is speaking with the professor and that we need to see the over-meticulous Professor slip-up and relax countless times in Raquel’s company — an honest and bad thing for the series.
It is an honest thing because it shows a special and lovable facet to the professor’s personality. However, it's a nasty thing because the one thing that finishes up crashing the entire heist seems forced.
I could see him letting his guard down because he loves Raquel, definitely. However, I don’t see how that sole clown hair would’ve been left on his lapel, especially once you take into consideration the very fact that he takes the wig off before he even pulls out his actual clothes.
Not to mention, the flashback where Raquel says they’re trying to find a person with a beard and glasses never happens within the show. it's alleged to be a flashback to before the hospital scenes, but if you return to the particular scene — she never says this.
Realistically, the police would haven't any idea what the professor seems like because he's always bound to keep his face hidden, even the flashback to the junkyard shows this. the sole one that does see his face quickly erases everything he shows the police before Raquel even gets the prospect to ascertain the sketch.
My guess is that the professor became too smart for Raquel to believably take down, in order that they had to depower him and force a last-minute slip-up.
This is commonly seen in anime, a medium that cash Heist takes tons of qualities from, which is sensible once you consider the very fact that Netflix predominantly produces anime.
On the anime, Bleach, the writers need to supremely depower the character Aizen after making him ridiculously powerful, literally a god, to make intrigue for the plot arc. On the anime, Akame Ga Kill, we see this occur with the character Esdeath, who is in a position to form an ice ball the dimensions of a planet “for fun” but gets defeated by Akame after she nearly dies trying to defeat her sister.
And this same depowering occurs once we see the clown’s hair on the professor’s lapel. It makes no sense, except for the sake of the narrative, you only need to accompany it anyway.
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